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about 63 months ago (02/22/2019)
To V and S in "Off Centre" | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Tuckys Photography Foreground: Saloma (Sakinah Dollah), background: Vinod (Abdul Latiff Abdullah) February 22, 2019 By Teo Xiao Ting (1,103 words, five-minute read) Dear Saloma and Vinod, I first met the two of you seven years ago, when I was 16...
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about 63 months ago (02/22/2019)
Pain and Cauterisation in "Off Centre" | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Tuckys Photography Saloma (Sakinah Dollah) and Vinod (Abdulatiff Abdullah) February 22, 2019 By Casidhe Ng (1, 543 words, eight-minute read) When the play ends (although it never really ends), Saloma sits on stage, alone, even after the house lights have been turned back on, with a look of uncertainty and shock plastered across her face...
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about 64 months ago (02/04/2019)
Experiencing the Ebb and Flow of “yesterday it rained salt” | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Mark Benedict Cheong February 4, 2019 By Casidhe Ng (1,068 words, five-minute read) In yesterday it rained salt , we are always surrounded by the acoustics of the sea...
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about 64 months ago (02/04/2019)
Letters to and from "yesterday it rained salt" | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Mark Benedict Cheong February 4, 2019 By Teo Xiao Ting (and Nabilah Said) (1,600 words, eight-minute read) Dear yesterday it rained salt , You crept up on me...
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about 65 months ago (12/18/2018)
Traversing Two Divergent Paths in “BITTEN: return to our roots" | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Asrari Nasir of Paradise Pictures December 18, 2018 By Casidhe Ng (1,320 words, six-minute read) We move through the Kampong Bugis landscape throughout the performance, along patches of grass, the river, and brick-tiled pavements...
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about 65 months ago (12/18/2018)
Walking Alongside “BITTEN: return to our roots” | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Asrari Nasir of Paradise Pictures December 19, 2018 By Teo Xiao Ting (1,420 words, seven-minute read) Taking a right turn towards Camp Kilo Charcoal Lounge (formerly Sam Tat Building) at Kampong Bugis, I spot a crew member sweeping the rainwater from the late afternoon downpour clear from the path that I will later walk on...
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about 66 months ago (11/27/2018)
Down the Fast Food Chain of Desire in "The Reunification of the Two Koreas" Thinking and Talking about Arts and Culture in Southeast Asia Articles Crispian Chan, crispi photography November 27, 2018 By Teo Xiao Ting Click here to open the Twine in a new tab (if you’re reading this on a mobile browser, or otherwise have trouble viewing the Twine.) The Reunification of the Two Koreas by TheatreWorks was originally written in French by Joël Pommerat...
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about 66 months ago (11/27/2018)
Looking at Love from Both Sides, Now in “The Reunification of the Two Koreas” | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Cripsian Chan, cripsi photography November 27, 2018 By Casidhe Ng (1,160 words, six-minute read) The breaking apart of Pangaea...
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about 67 months ago (11/04/2018)
Truth or Dare with “Lear is Dead” by Nine Years Theatre Thinking and Talking about Arts and Culture in Southeast Asia Articles November 5, 2018 By Teo Xiao Ting (1,069 words, six-minute read) After a gleaming heap of corpses dissipates into the afterlife and comes back for a closing bow, Lear is Dead ends with the quiver of revelation...
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about 67 months ago (11/04/2018)
Foolishness and Enlightenment in “Lear is Dead” | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles November 5, 2018 By Casidhe Ng (1,200 words, six-minute read) “You are a madman, and we are but fools,” the ensemble resounds...
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about 67 months ago (10/22/2018)
“Peter and the Starcatcher”: An Invitation to Suspend Disbelief Thinking and Talking about Arts and Culture in Southeast Asia Articles October 22, 2018 By Casidhe Ng (1,100 words, six-minute read) The final show of Pangdemonium’s 2018 season, Peter and the Starcatcher is this year’s equivalent of Fun Home or RENT , an exuberant and expensive production intent on ending their year with a bang...
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about 67 months ago (10/22/2018)
Growing up Everywhere and Nowhere in “Peter and the Starcatcher” | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Bernie Ng October 22, 2018 By Teo Xiao Ting (1,300 words, seven-minute read) What does it mean to be a child? Specifically, what does it mean to be growing up, to be young, in this milieu? While set in the sepia of 1885, Peter and the Starcatcher by Pangdemonium asks questions that still resonate now, opening up to an extended session of make-believe to present the origin story of a Boy who detests all “grown-ups.” The story comes dusted in “starstuff,” a coveted substance that literally came from the stars, and has the magic to grant wishes....